The naftali method unfolds through a series of modules that function as research containers, extending the practice across different movement contexts.
Each module is organized around a specific line of inquiry while remaining grounded in the same underlying questions of softness and speed.
Rather than prescribing a fixed progression or outcome, the modular structure keeps the practice adaptable and responsive. The work evolves through the dancers who enter it, the contexts in which it is practiced, and the questions that emerge through experience, keeping the research open and in development.
Photography by Ignacio Ponce.
